Lillian Watson
Lillian Debra Watson (born July 11, 1950), commonly known by her nickname Pokey Watson, and later by her married name Lillian Richardson, is an American former competition swimmer, a two-time Olympic champion, and a former world record-holder in three events.
As a 14-year-old, she represented the United States at the 1964 Summer Olympics in Tokyo, Japan. Watson won a gold medal as a member of the first-place U.S. team in the women's 4×100-meter freestyle relay, together with her teammates Sharon Stouder, Donna de Varona and Kathy Ellis. The four American women set a new world of 4:03.8 in the event final. She also swam the backstroke leg for the gold medal-winning U.S. team in the preliminary heats of the women's 4×100-meter medley relay, but did not receive a second medal because only relay swimmers who competed in the event final were eligible under the 1964 rules. Four years later at the 1968 Summer Olympics in Mexico City, she won a gold medal for her first-place performance in the women's 200-meter backstroke, setting a new Olympic record of 2:24.8.
Watson broke Dawn Fraser's six-year-old world record in the 200-meter freestyle (long course) on August 19, 1966, with a time of 2:10.5, and held the record for one year. She was part of several world record performances in relay events.
Watson was inducted into the International Swimming Hall of Fame as an "Honor Swimmer" in 1984.
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The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Prelude - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Prelude - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Going to be a storm soon (Forester) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: In the month of May (Harašta) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Come on, old lady, and let's get the show started (Cricket, Catepillar - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Hey there, Harašta, how's it going? ( - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Mummy! Mummy! What is that? (Vixen Cub, Forester) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Little foxes running fast (Fox Cubs, - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Pantomime - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: How many children do we have? (Fox, V - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. Sharp-Ears at the Forester's lakeside farmyard: Interlude - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Put it down fast! Harašta, Harašta! ( - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look at how big she's grown! (Forester, Forester's Wife, Vixen, Dog) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Interlude - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: I'm just the same too (Vixen) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Where is old man Pásek? (Forester, In - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look what we've got down 'ere (Pepik, Frantik, Vixen, Forester's Wife, - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Well I'm damned! (Forester, Innkeeper - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (beginning) "Ou, ou!" (Vixen) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Interlude - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (conclusion) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Spring is here at last (Forester) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: You should take a lesson from me! (Dog, Rooster, Hens, Chief Hen) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: When evening arrives, I welcome the r - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Sisters! Comrades! (Vixen, Hens, Rooster) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Hey! But I can't see the Vixen there! - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Come on then, don't be frightened (Chief Hen, Forester's Wife, Vixen, - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Tha-that wasn't me (Frog) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Prelude - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Ah! - Who's that out there screaming? (Vixen, Badger, Forest Cre - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Interlude - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: In my view parish things have got to be better! (Priest, Foreste - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Once long since, long ago (Forester, Schoolmaster, Priest, Pásek - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Home now? (Forester, Pásek) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home : Interlude II - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Something is wrong with my equilibrium (Schoolmaster) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Staccato! Flageoletti! (Schoolmaster) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: So remember to be a good man! (Priest) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Memnestho aner agathos einai (Priest, Forester, Schoolmaster) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Interlude - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: O my God! He's so handsome! (Vixen, Fox) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: One dark night (Vixen) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Fox Goldenstripe (Fox, Vixen) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Can it be that I am lovely? (Vixen, Fox) - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Let me go! I am afraid of you! (Vixen, F - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: If you had only seen what I saw just now - Janáček: The Cunning Little Vixen -
Lillian Watson
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The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: That's how it is! (Fox, Vixen, Woodpecke - Janáček: The Cunning Little Vixen -
Lillian Watson
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Die Kathrin, Op. 28, Act I: Mesdames, messieurs! - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act II: Na, was soll denn das kosten? - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act III: Mutter, Mutter! - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act I: Es ist ja wahr in meinem Herzen bin ich nur ein Sänger - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act II: Zu ihm! Ich will zu ihm! - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act III: Wo ist mein Heim - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act I: Pourquoi me voulez-vous quitter? - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act II: Was gibt's denn da? - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act III: Wach auf, du schöne Sünderin! - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act I: ...Und da hat er mich geküsst! - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act II: Monsieur François - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act III: Mein - mein? Noch immer mein? - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act I: Ich soll ihn niemals, niemals mehr sehn. - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act II: Verdienst eigentlich gar nicht, dass ich so nett bin - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act I: Cathrine! - Was ist? Madame? - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act II: In einer Viertelstund' - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act I: Entr'acte - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act II: Es tut mir leid - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act I: Kathrin! Kathrin! - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act II: Madame, c'est servi - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act I: Heut' ziehn sie ab, bleibt keiner da! - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act II: Ich muss ihn retten! - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act I: Mein Mann hat mich vermieden - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Die Kathrin, Op. 28, Act II: Was ist geschehn? - Korngold: Die Kathrin, Op. 28 -
Lillian Watson
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Symphony No. 6, Op. 116 - Hoddinott: Symphony No. 6, Lanterne des morts, A Contemplation upon Flowers & Scena for String Orchestra -
Lillian Watson
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Lanterne des Morts, Op. 105 No. 2 - Hoddinott: Symphony No. 6, Lanterne des morts, A Contemplation upon Flowers & Scena for String Orchestra -
Lillian Watson
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A Contemplation upon Flowers, Op. 90: I. Life - Hoddinott: Symphony No. 6, Lanterne des morts, A Contemplation upon Flowers & Scena for String Orchestra -
Lillian Watson
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A Contemplation upon Flowers, Op. 90: II. The Flower - Hoddinott: Symphony No. 6, Lanterne des morts, A Contemplation upon Flowers & Scena for String Orchestra -
Lillian Watson
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A Contemplation upon Flowers, Op. 90: III. A Contemplation upon Flowers - Hoddinott: Symphony No. 6, Lanterne des morts, A Contemplation upon Flowers & Scena for String Orchestra -
Lillian Watson
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Scena for String Orchestra, Op. 119 - Hoddinott: Symphony No. 6, Lanterne des morts, A Contemplation upon Flowers & Scena for String Orchestra -
Lillian Watson
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Chandos Anthems / The Lord Is My Light, HWV 255: Overture - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 17. "Moses and the children of Israel" 18. "I will sing unto the Lord" - Handel: Israel in Egypt etc. -
Lillian Watson
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Chandos Anthems / The Lord Is My Light, HWV 255: The Lord Is My Light - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 19. "The Lord is my strength" - Handel: Israel in Egypt etc. -
Lillian Watson
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Chandos Anthems / The Lord Is My Light, HWV 255: Though an Host Of Men - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 20. "He is my God" - Handel: Israel in Egypt etc. -
Lillian Watson
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Chandos Anthems / The Lord Is My Light, HWV 255: One Thing Have I Desired - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 21. "The Lord is a man of war" - Handel: Israel in Egypt etc. -
Lillian Watson
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Chandos Anthems / The Lord Is My Light, HWV 255: I Will Offer In His Dwelling - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 22. "The depths have covered them" - Handel: Israel in Egypt etc. -
Lillian Watson
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Chandos Anthems / The Lord Is My Light, HWV 255: For Who Is God But the Lord? - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 23. "Thy right hand, O Lord" - Handel: Israel in Egypt etc. -
Lillian Watson
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Chandos Anthems / The Lord Is My Light, HWV 255: The Lord Is My Strength and My Shield - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 24. "Thou sentest forth thy Wrath" - Handel: Israel in Egypt etc. -
Lillian Watson
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Chandos Anthems / The Lord Is My Light, HWV 255: It Is the Lord That Ruleth the Sea - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 25. "And with the blast of thy nostrils" - Handel: Israel in Egypt etc. -
Lillian Watson
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Chandos Anthems / The Lord Is My Light, HWV 255: Sing Praises Unto the Lord - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 26. "The enemy said: I will pursue" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Overture: Organ Concerto No. 13 in F major- Largo - Allegro - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 27. "Thou didst blow with the wind" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 1. "Now there arose a new King" 2. "And the children of Israel" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 28. "Who is like unto thee" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 3. "Then sent He Moses" 4. "They loathed to drink" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 29. "Thou in thy mercy" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 5. "Their land brought forth frogs" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 30. "The people shall hear and be afraid" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 6. "He spake the word" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 31. "Thou shalt bring them in" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 7. "He gave them hailstones" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 32. "The Lord shall reign" 33. "For the horse of Pharoah" 34. "The Lord shall reign" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 8. "He sent a thick darkness" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 2: Moses' Song: 35. "And Miriam, the Prophetess" 36. "Sing ye to the Lord" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 9. "He smote all the first-born" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 10. "But as for his people" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 11. "Egypt was glad when they departed" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 12. "He rebuked the Red Sea" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 13. "He led them through the deep" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 14. "But the waters overwhelmed their enemies" - Handel: Israel in Egypt etc. -
Lillian Watson
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Israel in Egypt, HWV 54 / Pt. 1: Exodus: 15. "And Israel saw" 16. "And believed the Lord" - Handel: Israel in Egypt etc. -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, K. 384: Overture - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Hier soll ich dich denn sehen" (Belmonte) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Aber wie soll ich in den Palast kommen" (Belmonte) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Könnt' ich mir doch noch so einen Schurken" (Osmin, Pedrillo) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Solche hergelauf'ne Laffen" (Osmin) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Geh nur, verwünschter Aufpasser" (Pedrillo, Belmonte) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Konstanze! dich wieder zu sehen! - "O wie ängstlich, o wie feurig" (Belmonte) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Geschwind, geschwind auf die Seite" (Pedrillo) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Singt dem grossen Bassa Lieder" (Chor) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Ach ich liebte, war so glücklich!" (Konstanze) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1: "Ihr Schmerz, ihre Tränen, ihre Standhaftigkeit" (Selim, Pedrillo, Belmonte, Osmin) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 1 "Marsch! Marsch! Marsch! trollt euch fort" (Osmin, Belmonte, Pedrillo) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Durch Zärtlichkeit und Schmeicheln" (Blonde) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Zärtlichkeit! Schmeicheln!" (Osmin, Blonde) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Ich gehe, doch rate ich dir" (Blonde, Osmin) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Wie traurig das gute Mädchen daherkommt" (Blonde) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Welcher Wechsel herrscht in meiner Seele" - "Traurigkeit ward mir zum Lose" (Konstanze) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Ach mein bestes Fräulein!" (Blonde, Konstanze, Selim) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Martern aller Arten" (Konstanze) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Ist das ein Traum?" (Selim) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Kein Bassa, keine Konstanze mehr da?" (Blonde, Pedrillo) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Welche Wonne, welche Lust" (Blonde) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Ah, dass es schon vorbei wäre!" (Pedrillo) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Frisch zum Kampfe! Frisch zum Streite!" (Pedrillo) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Wahrhaftig, es geht doch nichts über den Wein!" (Pedrillo, Osmin, Belmonte, Konstanze) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Wenn der Freude Tränen fliessen" (Belmonte) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Ich hab' hier ein Schiff in Bereitschaft" (Belmonte) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 2: "Ach Belmonte! ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 3: "O Konstanze! Wie schlägt mir das Herz!" (Belmonte) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 3: "Ich baue ganz auf deine Stärke" (Belmonte) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 3: "Alles liegt auf dem Ohr" (Pedrillo) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 3: "In Mohrenland gefangen war" (Pedrillo) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 3: "Sie macht auf Herr!" (Pedrillo, Konstanze) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 3: "Gift und Dolch! Was ist das?" (Osmin, Belmonte) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 3: "O, wie will ich triumphieren" (Osmin) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 3: "Was gibt's, Osmin, was gibt's" (Selim, Osmin, Konstanze, Belmonte) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 3 "Welch ein Geschick!" "Meinetwegen sollst du sterben!" (Belmonte, Konstanze) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 3: "Zitterst du?" (Selim, Belmonte, Konstanze, Pedrillo, Osmin) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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Mozart: Die Entführung aus dem Serail, Act 3: "Nie werd' ich deine Huld verkennen" (Belmonte, Konstanze, Blonde, Pedrillo, Osmin, Chorus) - Mozart: Die Entführung aus dem Serail, K. 384 -
Lillian Watson
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