Newspeak
In the 1949 dystopian novel Nineteen Eighty-Four (also published as 1984), by George Orwell, Newspeak is the fictional language of Oceania, a totalitarian superstate. To meet the ideological requirements of Ingsoc (English Socialism) in Oceania, the Party created Newspeak, a controlled language of simplified grammar and restricted vocabulary designed to prevent people from being able to think critically. The Newspeak language thus limits the person's ability to articulate and communicate abstract concepts, such as personal identity, self-expression, and free will, which are thoughtcrimes, acts of personal independence that contradict the ideological orthodoxy of Ingsoc collectivism.
In the appendix to the novel, "The Principles of Newspeak", Orwell explains that Newspeak follows most rules of English grammar, yet is a language characterised by a continually diminishing vocabulary; complete thoughts are reduced to simple terms of simplistic meaning. The political contractions of Newspeak – Ingsoc (English Socialism), Minitrue (Ministry of Truth), Miniplenty (Ministry of Plenty) – are similar to Nazi and Soviet contractions in the 20th century, such as Gestapo (Geheime Staatspolizei), politburo (Political Bureau of the Central Committee of the Communist Party of the Soviet Union), Comintern (Communist International), kolkhoz (collective farm), and Komsomol (communist youth union). Newspeak contractions usually are syllabic abbreviations meant to conceal the speaker's ideology from the speaker and the listener.
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Dog Days: Prologue: A Man In A Dog Suit - Little: Dog Days -
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Dog Days: Act I: Summer, Scene 1: Dinner - Little: Dog Days -
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Dog Days: Act I: Summer, Scene 2: Friends - Little: Dog Days -
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Dog Days: Act I: Summer, Scene 3: Parents – My Legs Won't Walk Me - Little: Dog Days -
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Dog Days: Act I: Summer, Scene 3: Parents – “We should have went...” - Little: Dog Days -
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Dog Days: Act I: Summer, Scene 3: Parents – The Fresh-Dead Deer - Little: Dog Days -
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Dog Days: Act I: Summer, Scene 4: Brothers - Little: Dog Days -
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Dog Days: Act I: Summer, Scene 5: Letter - Little: Dog Days -
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Dog Days: Act II: Fall, Scene 1: Naming - Little: Dog Days -
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Dog Days: Act II: Fall, Scene 2: Alea – “It’s getting closer...” - Little: Dog Days -
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Dog Days: Act II: Fall, Scene 2: Alea – Stand Up Like A Man - Little: Dog Days -
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Dog Days: Act II: Fall, Scene 2: Alea – “This...fucked” - Little: Dog Days -
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Dog Days: Act II: Fall, Scene 3: Mirror - Little: Dog Days -
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Dog Days: Act II: Fall, Scene 3: Mirror – Mirror, Mirror - Little: Dog Days -
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Dog Days: Act II: Fall, Scene 4: Rubicon - Little: Dog Days -
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Dog Days: Act III, Winter: Scene 1: Odds - Little: Dog Days -
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Dog Days: Act III, Winter: Scene 2: Endgame - Little: Dog Days -
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Dog Days: Epilogue: The Three Ravens - Little: Dog Days -
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Soldier Songs
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Soldier Songs: Prelude - Soldier Songs -
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Soldier Songs: Pt. I, Child: Real American Heroes - Soldier Songs -
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Soldier Songs: Pt. I, Child: Boom! Bang! Dead! (Rated "T" for Teen) - Soldier Songs -
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Soldier Songs: Pt. I, Child: Counting the Days (for Gene Little) - Soldier Songs -
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Soldier Songs: Pt. II, Warrior: Still Life with Tank and iPod - Soldier Songs -
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Soldier Songs: Pt. II, Warrior: Old Friends with Large Weapons (for Michael Lear) - Soldier Songs -
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Soldier Songs: Pt. II, Warrior: Hollywood Ending (for Justen Bennett) - Soldier Songs -
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Soldier Songs: Pt. II, Warrior: Steel Rain - Soldier Songs -
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Soldier Songs: Pt. III, Elder: Introduction - Hunting Emmanuel Goldstein - Every Town has a Wall - Soldier Songs -
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Soldier Songs: Pt. III, Elder: Two Marines - Soldier Songs -
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Soldier Songs: Pt. III, Elder: War After War - Soldier Songs -
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Soldier Songs: Pt. III, Coda. The Closed Mouth Speaks - Soldier Songs -
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