John Aler
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The Impresario, K. 486: Overture - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Impresario, K. 486: Da schlägt die Abschiedsstunde - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Impresario, K. 486: Rondo. Bester Jüngling! - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Impresario, K. 486: Trio. Ich bin die erste Sängerin! - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish: Sinfonia - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act I: Duet. Hier müssen wir uns beide trennen - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act I: Aria. Welche nie empfund'ne Freude - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act I: Duet. Liebes Weib - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act I: Aria. Der Drache ist den armen Männern gut - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act I: Chorus. O Abdallah - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act I: March - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act II: Chorus. Die Männer zu fesseln - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act II: Wind Music - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act II: Aria. Sofrano, fühltest du mein Leiden - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act II: March - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act II: Ballad. Ein Jüngling frisch wie Milch - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act II: The Sea Battle - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act III: So bald der Mann ist allzu Gut - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act III: Duet. Ach, die Teure liebet mich! - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act III: Recitative. Sofrano! Mein Sohn! - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act III: Chorus. Vino pani - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act III: Duet. Daß Männer unsre Sklaven sind - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act III: Aria. Bald wird auch dieser Traum - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act III: Duet. Wir sind die zwei lustigen Bauern vom Land - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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The Beneficent Dervish, Act III: Final Chorus. Ihr Undankbaren lebet wohl - Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486 -
John Aler
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Stravinsky: Pulcinella: I. Overture - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: II. Serenata. "Mentre l'erbetta" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: III. Scherzino. Allegro - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: IV. Allegro - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: V. Andantino - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: VI. Allegro - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: VII. Andante poco meno. "Contento forse vivere" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: VIII. Allegro assai - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: IX. Allegro. "Con queste paroline" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: X. Largo. Trio. "Sento dire no'nce pace" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XI. Allegro. "Chi disse ca la femmena" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XII. Allegro - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XIII. Presto. "Una te fallan zemprecce" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XIV. Larghetto - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XV. Allegro. Alla breve - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XVI. Tarentella - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XVII. Andantino. "Se tu m'ami" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XVIII. Allegro - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XIX. Gavotta con due variazioni - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XX. Allegro - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XXI. Tempo di minuetto. "Pupilette, fiammette d'amore" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Pulcinella: XXII. Finale. Allego assai - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: Marche. Entrée des acteurs - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: "Oh where, oh where, oh where?" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: "Here am I upon high" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: Salto mortale - "Help, o help!" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: "Hey there, brother Fox" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: "Here am I upon high" (Reprise) - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: Salto mortale - "Don't break your fast, Foxy" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: "Ah, dear brother Renard" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: "Plink, play a pretty song" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: "What on earth is this din?" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: "Ah, you miserable rotten wretched tail!" - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Renard: Marche. Sortie des acteurs - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Suite for Small Orchestra No. 1: I. Andante - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Suite for Small Orchestra No. 1: II. Napolitana - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Suite for Small Orchestra No. 1: III. Española - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Suite for Small Orchestra No. 1: IV. Balalaika - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Suite for Small Orchestra No. 2: I. Marche - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Suite for Small Orchestra No. 2: II. Valse - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Suite for Small Orchestra No. 2: III. Polka - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Suite for Small Orchestra No. 2: IV. Galop - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
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Stravinsky: Ragtime - Stravinsky: Pulcinella, Renard, Suites & Ragtime -
John Aler
Handel: Semele
- 1993-01-01T00:00:00.000000Z
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Semele, HWV 58, Act III: Overture - Handel: Semele -
John Aler
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Semele, HWV 58, Act I: Overture - Handel: Semele -
John Aler
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Semele, HWV 58, Act II: Overture - Handel: Semele -
John Aler
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Semele, HWV 58, Act III Scene 1: Somnus, Awake - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: Behold! Auspicious Flashes Arise - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 1: Iris, Impatient of Thy Stay - Handel: Semele -
John Aler
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Semele, HWV 58, Act III Scene 1: Leave Me, Loathsome Light - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: Lucky Omens Bless Our Rites - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 1: There from Mortal Cares Retiring - Handel: Semele -
John Aler
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Semele, HWV 58, Act III Scene 1: Dull God, Canst Thou Attend the Water's Fall - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: Daughter, Obey - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 1: No More! I'll Hear No More! – Awake Saturnia... - Handel: Semele -
John Aler
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Semele, HWV 58, Act III Scene 1: More Sweet Is That Name - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: Ah! Ne! – O Jove! - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 1: Hence, Iris, Hence Away - Handel: Semele -
John Aler
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Semele, HWV 58, Act III Scene 1: My Will Obey, She Shall Be Thine - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: The Morning Lark to Mine Accords His Note - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 2: Oh Sleep, Why Dost Thou Leave Me? - Handel: Semele -
John Aler
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Semele, HWV 58, Act III Scene 1: Obey My Will / All I Must Grant - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: See She Blushing Turns Her Eyes - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 3: Let Me Not Another Moment - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 3: Lay Your Doubts and Fears Aside - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: Hymen, Haste, Thy Torch Prepare - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 3: You Are Mortal and Require Time to Rest - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: Alas! She Yields, and Has Undone Me - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 3: With Fond Desiring - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: Why Dost Thou Thus Untimely Grieve? - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 3: How Engaging, How Endearing - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: Avert These Omens, All Ye Pow'rs! - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 3: Ah Me! Why Sighs My Semele! - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: Again Auspicious Flashes Rise - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 3: I Must With Speed Amuse Her - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: Thy Aid, Pronubial Juno, Athamas Implores! - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 3: Now Love That Everlasting Boy Invites - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 1: Cease Your Vows - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 3: By My Command - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 2: O Athamas, What Torture Hast Thou Borne! - Handel: Semele -
John Aler
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Semele, HWV 58, Act II: Where'er You Walk - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 2: Turn, Hopeless Lover, Turn Thy Eyes - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 3: Dear Sister, How Was Your Passage Hither? - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 2: She Weeps! - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 4: But Hark! the Heavenly Sphere - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 2: Your Tuneful Voice My Tale Would Tell - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 4: Prepare Then, Ye Immortal Choir - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 2: Too Well I See, Thou Wilt Not Understand Me - Handel: Semele -
John Aler
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Semele, HWV 58, Act II Scene 4: Bless the Glad Earth With Heav'nly Lays - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 2: You'Ve Undone Me – With My Life I Would Atone - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 3: Ah, Wretched Prince – Wing'd With Our Fears – O Prodigy – See, See, Jove's Priests - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 4: Hail Cadmus! - Handel: Semele -
John Aler
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Semele, HWV 58, Act I Scene 4: Endless Pleasure, Endless Love - Handel: Semele -
John Aler
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Semele, HWV 58, Act III Scene 9: Apollo Comes, to Relieve Your Care - Handel: Semele -
John Aler
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